Oops I Did It Again Two Word Vocabulary
| Oops!... I Did It Once again | ||||
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| Studio album by Britney Spears | ||||
| Released | May 3, 2000 (2000-05-03) | |||
| Recorded | 1999–2000 | |||
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| Genre |
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| Length | 44:37 | |||
| Label | Jive | |||
| Producer |
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| Britney Spears chronology | ||||
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| Singles from Oops!... I Did It Again | ||||
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Oops!... I Did It Again is the second studio album past American singer Britney Spears released on May 3, 2000, through Jive Records. Though much in the vein of her debut album ...Baby One More than Time (1999), information technology is a pop, dance-popular, and teen popular record, the album incorporates a more funkier and R&B sounds.[1] Contributions to the album's product came from a wide range of producers, including Max Martin, Rami Yacoub, Per Magnusson, David Kreuger, Kristian Lundin, Jake Schulze, Darkchild, and Robert John "Mutt" Lange.[2]
Upon its release, Oops!... I Did It Over again received positive reviews from music critics, who praised its production, sonic quality and Spears' vocal performance. The album became a massive commercial success, debuting at number ane in over twenty countries while peaking inside the top five in various other. In the United States, information technology debuted at number 1 on the Billboard 200, with offset-week sales of 1.39 million copies, becoming the fastest selling album by a female artist since Nielsen SoundScan began tracking bespeak-of-auction music purchases in 1991.[3] This record was broken fifteen years later on by Adele's 25, which sold over three.38 million copies in its starting time week of release.[four] Information technology became Spears' second sequent album to exist certified Diamond by the Recording Industry Association of America, denoting sales of over ten million copies in the U.s., making Spears at age eighteen the youngest artist to have multiple diamond albums.[v] With worldwide sales of over 20 million copies,[half-dozen] Oops!... I Did It Again is one of the acknowledged albums of all-time.
Four singles were released to promote the anthology. Its title rail was commercially successful in a number of territories, reaching number one in fifteen countries and peaking at number nine on the US Billboard Hot 100. Its second single, "Lucky", peaked at number one in Republic of austria, Frg, Sweden and Switzerland, within the height 10 in Australia, Belgium, Canada, Denmark, Ireland, Italy, the Netherlands, New Zealand, Norway, Poland, Romania and the United Kingdom, and at number twenty-three on the U.s. Billboard Hot 100. Its third unmarried, "Stronger", reached the top ten in Austria, Republic of finland, Germany, Poland, Romania, Sweden, Switzerland and the United kingdom, and peaked at number eleven on the US Billboard Hot 100. "Stronger" became the highest-selling single off the album, receiving a Gilded certification in Commonwealth of australia, Denmark, Germany, New Zealand, Sweden, and the United States. Its final single, "Don't Let Me Be the Last to Know", was moderately successful on the charts, peaking at number one in Romania, and within the elevation x in Austria, Poland, and Switzerland, but failed to chart on the US Billboard Hot 100. To promote the album, Spears performed on several television receiver shows and award ceremonies, including a controversial performance at the 2000 MTV Video Music Awards. She also was the host and musical invitee for the first time on Saturday Night Live. Furthermore, Spears embarked on a concert tour, entitled the Oops!... I Did It Again Bout, starting on June 20, 2000 and ending at the Rock in Rio festival on January 18, 2001.
Recording and production [edit]
"When I did the first anthology, I had just turned xvi. I mean, when I look at the album comprehend, I'yard like, 'Oh, my lordy.' I know this next album's going to be totally dissimilar--especially the material. I just got finished recording the start six tracks in Sweden two months ago, and the cloth is and then much more funkier and edgier. And, of course, it's more mature because I've grown as a person too."
—Spears on the progression of her material for the album.[7]
Later on vacationing for half dozen days following the completion of the ...Babe One More Time Tour in September 1999,[8] Spears returned to New York Urban center to brainstorm recording songs for her side by side album; the majority of the recording took place in November. It featured contributions from Max Martin, Eric Foster White, Diane Warren, Robert Lange, Steve Lunt, and Babyface.[9] The songs "Oops!... I Did It Again", "Walk on By" (afterwards covered past Gareth Gates), "What U See (Is What U Go)", and "Don't Go Knockin' on My Door" were the showtime to be recorded at Martin'south Cheiron Studios in the first calendar week of November; followed past "Stronger" and "Lucky", which were finalized (along with the title track) in January 2000. Spears recorded "Don't Permit Me Be the Concluding to Know" at Robert Lange's villa in Switzerland in December 1999; Lange produced the vocal.[10] "Where Are You lot Now" was an outtake from ...Babe One More than Time. "Daughter in the Mirror" and "Can't Make You Love Me"'s instrumental track and melody were recorded in the autumn of 1999 in Sweden, with Spears recording the vocals in mid-Jan at Parc Studios in Orlando, Florida.[11] [12] Spears returned to New York, linking up with producer Steve Lunt to record Diane Warren'south "When Your Optics Say It" at Bombardment Studios on Friday, January 28, 2000, which preceded her TRL appearance that day. "One Kiss from You" was also recorded at Battery Studios but was later finished at 3rd Floor in New York City. Spears also recorded the terminal track for the album "Dear Diary" which would later be completed at East Bay Recording in Tarrytown, New York and at Avatar Studios in New York City. Some other vocal recorded during these sessions was "Heart". Her cover of "(I Tin can't Become No) Satisfaction" was recorded with Rodney Jerkins at Pacifique Recording Studios in Hollywood, California during February 24–26, 2000 later on attending the 42nd Annual Grammy Awards.[13] [14]
By January, the then-untitled album was halfway to completion; Spears had worked on it primarily in the United States and Sweden, and finalized material in New York City.[ix] She was heavily pressured after ...Babe One More Time 'southward huge commercial success, stating: "Information technology's kind of difficult post-obit ten million, I accept to say. But later listening to the new material and recording it, I'yard really confident with it."[xv] Upon the release of Oops!...I Did It Over again, Spears said: "I mean, of course there's some pressure", and added: "But in my opinion, [Oops!] is a lot better than the kickoff album. It's edgier – information technology has more of an attitude. It'southward more than me, and I call back teenagers will chronicle to it more than." Geoff Mayfield, director of Billboard charts, added that the conclusion to release Oops!... I Did It Again less than a year and a half later on Spears' debut amounts to "very smart timing. My philosophy is when you have a immature fan base, go 'em while they're hot."[xvi]
Music and lyrics [edit]
Oops!... I Did Information technology Again was considered as a sequel to Spears' debut anthology, ...Baby One More than Time (1999),[1] percolating with a carefully measured blend of familiar pop, funk, R&B and power balladry.[17] Spears said during an interview that the album has a more mature, R&B-flavored pop sound. "Information technology's not something I changed purposefully", Spears said of the anthology's audio and added: "It'southward but something that kind of changed on itself with me being older. My voice has changed a little bit and I'm more confident, and I think that comes across on the cloth."[7] Ane of its producers, Rodney "Darkchild" Jerkins talked about working with Spears on a Rolling Stones cover, stating: "Information technology'south going to daze everybody", adding: "It has flavors of the original, just it'south a directly 2000 version — new to the ear. Which I remember is cool, considering people who capeesh that song are going to love it. And I made it and then new and young that the young kids that dear Britney are going to love information technology. It'due south going to catch both a mature and young audience."[18] Spears worked with Robert "Mutt" Lange on "Don't Permit Me Be the Last to Know", telling MTV News: "When y'all hear the song, it's so pure and frail. It's but one of those songs that pull you in", and added: "I think they wrote information technology 'especially for me, considering the lyrics of the vocal, if yous really listen … they're more of what I can relate to, 'cause they're kind of young lyrics, I recall. I don't think Shania would probably sing some of the words that I'grand saying."[xviii]
The title rail and opening song, "Oops!... I Did It Once more", was compared to her debut single, "...Infant 1 More Time" (1998), featuring a slap-and-pop bassline, synthesizer chord stabs and a mechanized beat. Lyrically, the song sees Spears warning to an overeager prospective lover: "Oops, yous think I'yard in love/That I'm sent from above — I'yard not that innocent."[19] The vocal also breaks downwards for a spoken-give-and-take interlude, involving a line from the film Titanic (1997).[19] The second track "Stronger" is a synthpop[20] and R&B-infused track,[18] which is lyrically a declaration of independence, where Spears leaves a partner who treats her similar holding.[21] The line "my loneliness ain't killing me no more than" makes reference to the verse "my loneliness is killing me" from her song "...Baby Ane More Time".[xviii] Another R&B-infused rail, which also adds a scrap more than funk to the mix,[18] "Don't Go Knocking on My Door" finds Spears confidently forging ahead afterward a breakup.[21] The fourth rail, a cover of the Rolling Stones' "(I Can't Get No) Satisfaction", begins with mushy guitar plucking and blatant coos, until a dry, crackling lockstep is thrown down, turning the song into an urban stomp.[22] The dance-pop version too jettisons the song's terminal verse and adds some new lyrics[18] ("how white my shirts could be" becomes "how tight my skirt should be").[23] "[It] was my idea [to tape the vocal]", Spears said. "I was merely like, 'I like this song,' and I think it will be a really cool combination working with [hip-hop producer] Rodney [Jerkins] and doing a actually funky song like that."[24] The 5th rail, "Don't Let Me Be the Terminal to Know", was co-written by country-pop vocalist-songwriter Shania Twain and her so-husband, producer Robert "Mutt" Lange, who likewise produced the track.[18] The ballad, which boasts a slinky keyboard riff and Lange'south characteristically lavish product, finds Spears assuasive a flake of country twang into her vocals equally she begs a lover to reveal his feelings: "My friends say y'all're into me ... but I need to hear it directly from you", she sings.[eighteen]
The 6th track "What U See (Is What U Become)" demands respect past rebuking a jealous partner,[21] while the 7th rails, "Lucky", is a heart-rending tale of a Hollywood starlet's loneliness, proving that fame can be empty.[21] "If at that place'due south zippo missing in my life/Then why practice these tears come at night?", she asks.[twenty] "School crush" is the theme of "One Osculation from You lot",[21] a rail that has a reggae-way beat and lyrics about the feelings of falling in dearest, and the quickness of it,[25] with Spears cooing that after only one kiss she sees her entire futurity with her lover.[26] The ballad "Where Are Yous Now" talks virtually wanting to know where a previous love is, and what that person is upwards to, so that she tin finally let them become and find closure.[ citation needed ] Lines on "Can't Make You Beloved Me", a Europop song,[22] state that fancy cars and money pale in comparison to true love,[21] with Spears singing: "I'm just a daughter with a crush on y'all."[22] The mid-tempo, synth-backed "When Your Optics Say It", written by songwriter Diane Warren, combines a cord department with a loping hip hop beat,[18] while Spears makes her own songwriting debut on the modest, keyboard-driven ballad "Dear Diary", which she said is autobiographical. On the track, she sings of wanting to become "so much more than friends" with a boy.[eighteen]
Release and promotion [edit]
In late 1999, Spears promoted her upcoming album in Europe with live performances of her past songs. She appeared on Smash Hits in the Britain.[27] In Italian republic, she did a brusk interview on the television testify TRL Italy in early 2000.[27] and gave a surprise functioning in Paris in May 2000.[28] In Australia, Spears appeared on The House of Hits and Russell Gilbert Live on May thirteen.[27] In Spain, she gave an interview with El Rayo on September 8 and October 24.[27] Spears performed at large venues in the United kingdom, including Birmingham, the Wembley Arena in London, and the Manchester Evening News Arena. She was accompanied by NSYNC, who toured with her during a short United Kingdom outing in October 2000.[28]
Oops!... I Did It Over again was first released in Japan on May 3, 2000, and was later released in the United States on May 16. In the United States, Spears appeared on Saturday Night Live on May 13, The Rosie O'Donnell Show on May 15, and Teen People'southward 25 Under 25 on May 26.[29] On May ten, she was interviewed on Late Nighttime with Conan O'Brien.[27] On May 13, Spears was both the host and musical guest on NBC's Saturday Nighttime Live. She also performed on NBC's The This evening Prove with Jay Leno on May 23.[30] Spears' held her post-TRL listening party, "Britney's Start Mind", on May 16, and was toast the inflow of her album on next Tuesday's installment of TRL that started at 3:30 p.one thousand. (ET).[31] On May xiv, she was at Times Square studios for two hours of "Britney Live" that started at noon.[31] Spears performed "Oops!... I Did It Again" on MTV's All Access: Backstage with Britney that was broadcast on July 19, 2000.[27] On September seven, at the 2000 MTV Video Music Awards in New York City at the Radio Metropolis Music Hall, Spears gave a memorable live operation.[32] which included a cover of the Rolling Stones's hit unmarried "(I Can't Get No) Satisfaction" (1965) and her own hit "Oops!... I Did It Again", released before that year. While she began her segment in a blackness suit, she shocked the audience and the media while, at only the age of xviii, ripped it off to display a revealing, mankind-colored phase outfit with hundreds of strategically placed Swarovski crystals.[33] One month before the release of the album, Spears headed to Hawaii on Easter Lord's day and then she could tape a Play a joke on television special titled Britney Spears in Hawaii. The free concert was held on the embankment in front end of the Hilton Hawaiian Village lagoon in Honolulu, Hawaii.[34] The Fox concert event was intended to serve as a preview of Spears' Oops!... I Did Information technology Again anthology that features her twelve new songs.[34] Spears had on a month-long international promotional tour in support of Oops!... I Did It Once again, and on May ii, she had a printing event at Kokusai Forum Hall in Tokyo, and made stops in both London and Hawaii.[35] Spears was also amid the scheduled performers on the 42nd Annual Grammy Awards, which aired on CBS at 8 p.m. (ET/PT).[36] She was also expected to announced on a Grammy-day TRL.[36]
The album'due south supporting tour, the Oops!... I Did It Again Bout, visited North America, Europe, and Brazil as part of Rock in Rio. On the Crazy 2k Tour, Spears introduced the songs "Oops!... I Did Information technology Again" and "Don't Permit Me Exist the Concluding to Know". On June 24, 2000, Spears was featured in a impress and television advertising campaign for Clairol'south Herbal Essences shampoo line. In a special insurrection for Clairol, Spears recorded her own song for the brand called "I've Got the Urge to Herbal" that was featured in 60-2d radio spots and was part of a pre-concert video presentation for Spears's fifty-city summer concert tour, in which Herbal Essences was the tour sponsor.
Singles [edit]
"Oops!... I Did It Again" was released equally the lead single from the album and accomplished worldwide popularity. It became Spears's third top-ten hit single on the US Billboard Hot 100, peaking at number 9; however, in comparison to the huge success of her debut single "...Babe One More than Fourth dimension", Jive Records considered "Oops!... I Did Information technology Again" a minor disappointment.[38] The song peaked at number one on the U.s.a. Mainstream Superlative forty,[39] holding the record for the near radio additions in one 24-hour interval. "Oops!... I Did It Once more" peaked atop the charts in Commonwealth of australia, Belgium, Canada, Italy, the Netherlands, New Zealand, Norway, Poland, Romania, Spain, Sweden, Switzerland and the Uk.[twoscore] An accompanying music video for "Oops!... I Did It Once more" saw Spears on Mars in now-iconic blood-red shiny catsuit, while she is visited by an American astronaut who hands her the fictional Heart of the Ocean jewel which Rose threw into the bounding main at the end of Titanic.[41]
The album's 2d single, "Lucky", was released on July 25, 2000 and received positive response from the music critics, who considered one of her all-time offerings from the anthology. Commercially, "Lucky" topped the charts in Austria, Deutschland, Sweden and Switzerland, while reaching number five on the UK Singles Chart.[42] In the United States, "Lucky" only managed to peak at number xx-three on the Billboard Hot 100 chart and at number ix on the Mainstream Top 40.[38] The "glittery" music video sees Spears equally the narrator and an extra named Lucky, who is a melancholy picture star and shows her conflicted relationship to fame.[43]
The 3rd unmarried, "Stronger", was released on October 31, 2000 and became the album'due south second highest-charting unmarried in the United States, peaking at number 11 on the Billboard Hot 100 and number 1 on the Hot Single Sales.[38] It reached number seven on the United kingdom Singles Nautical chart.[44] Its music video sees Spears catching her beau cheating on her at a futuristic turntable nightclub, driving off, getting in a wreck and singing in the rain,[43] while the chair sequence in the video was inspired by Janet Jackson's video for "The Pleasure Principle".[45]
The fourth and final single, "Don't Permit Me Be the Terminal to Know", was released on March 12, 2001 and is ane of Spears' favorite tracks of her career. In the United States, the song performed well beneath expectations, failing to chart on the Billboard Hot 100 nor the Mainstream Top twoscore. Still, the song attained success in Europe, topping the Romanaian Peak 100 and peaking inside the elevation 10 in Republic of austria, Poland and Switzerland, while just missing the top 10 in Germany, Ireland, Sweden and the United Kingdom, peaking at number twelve in all of them.[46] The music video was considered too racy at the time, portraying Spears in love scenes with her fictional boyfriend, played by French model Brice Durand.[47]
"You lot Got It All" received a promotional release in French republic in May 2000. A promotional CD single for "When Your Eyes Say It" was released in the Great britain in January 2001.[ commendation needed ]
Disquisitional reception [edit]
| Aggregate scores | |
|---|---|
| Source | Rating |
| Metacritic | 72/100[49] |
| Review scores | |
| Source | Rating |
| AllMusic |   [one] |
| Billboard | favorable[17] |
| Christgau'southward Consumer Guide |  [fifty] |
| Entertainment Weekly | B[22] |
| Los Angeles Daily News | [51] |
| MTV Asia | eight/10[52] |
| NME | 8/10[xx] |
| Rolling Rock |  [23] |
| Salon | favorable[53] |
| Sonic.internet | [54] |
Oops!... I Did It Once again received favorable reviews from music critics. At Metacritic, which assigns a normalized rating out of 100 to reviews from mainstream critics, Oops!... I Did Information technology Again received an average score of 72, based on 12 reviews, indicating "more often than not favorable reviews".[55] Giving the album four out of 5 stars, Stephen Thomas Erlewine of AllMusic noted that the album "has the same combination of sweetly sentimental ballads and endearingly gaudy trip the light fantastic-pop that made 'Ane More Fourth dimension'," but remarked that, "Fortunately, she and her production team non only have a stronger overall set of songs this fourth dimension, but they also occasionally get carried away with the same bewildering magpie aesthetic, [...] giv[ing] the album grapheme apart from the well-crafted dance-popular and ballads that serve as its eye. In the end, information technology'southward what makes this an entertaining, satisfying listen."[1] Billboard magazine wrote that "'Oops!...' indicates that she's developing a soulful border and emotional depth that can't be conjured with a glass-shattering note," praising the album for consistently bandage[ing] Spears as a young adult female coming to terms with her inner power—and that'southward a darn proficient bulletin to offer an impressionable audience."[17] Amusement Weekly's David Browne gave the album a B-rating, writing that the album "reminds the states once again that the best new pop tin can be a boom of absurd air in a stifling room."[22]
Rob Sheffield of Rolling Rock gave the album a three-and-a-half out of v stars rating, calling the album "fantastic pop cheese, with much better song-manufactory hooks than 'Due north Sync or BSB get", also noting that "the smashing thing well-nigh Oops!, nether the cheese surface, is complex, fierce and downright scary, making her a true child of rock & whorl tradition."[23] A writer of NME reported that "she's mod-day popular perfection realised in a nearly, homo form", commenting that "she's done it over again."[20] Lennat Mak of MTV Asia named it "a bright second album", writing that Spears "is armed with a more mature and seasoned pop star look, stronger and poppier songs, and of form, extensive media exposure."[52] Andy Battaglia of Salon called the album "a masterpiece of sorts not for its bulletin but for the way it applies the conventions of the pop-musical medium."[53] Website The A.V. Club was more mixed, calling it "a joyless chip of redundant, obvious, competent cheese, recycling itself at every turn and soliciting songwriting from such soulless hacks as Diane Warren and assorted Swedes."[56]
Accolades [edit]
Commercial performance [edit]
In the United States, Oops!... I Did It Once again reportedly sold 500,000 copies in its first day of release.[62] It debuted at number ane on the Billboard 200 chart, with starting time-calendar week sales of 1,319,193 copies.[63] [64] [65] With its success, Spears held the record for the highest first-week sales by a female person creative person.[66] This tape was held for xv years, merely to be surpassed in November 2015 by the album 25 past Adele, which sold over iii.38 one thousand thousand albums in the United states in its first calendar week.[4] The album fell to number two in its second week, with additional sales of 612,000 copies.[67] It held this position for fifteen consecutive weeks.[68] [69] By its fifth calendar week of availability, Oops!... I Did It Again had sold over iii 1000000 copies and had passed five million copies by Baronial.[70] On its seventeenth week on the chart,[71] it was certified septuple Platinum by the Recording Industry Association of America (RIAA) for shipments of seven one thousand thousand units.[72] [73] The album spent eighty-iv weeks on the Billboard 200, thirty-one weeks on the Canadian Albums Chart, and two weeks on the US Catalog Albums.[74] Oops!... I Did It Again debuted at number eighty-ii on the European Top 100 Albums, and quickly peaked at number one;[75] it sold over four 1000000 copies within the continent, being certified four-times Platinum by the International Federation of the Phonographic Industry.[76] Oops!... I Did It Again reached number two on the Uk Albums Chart,[40] selling 88,000 copies in the starting time week of release; it remained in the top five for four weeks. The album debuted at number one in Canada, selling 95,275 copies in its first week.[77]
It topped the French Albums Chart[78] and the High german Offizielle Top 100, likewise being certified triple Platinum by the British Phonographic Industry (BPI),[79] double Golden by the Syndicat National de 50'Édition Phonographique (SNEP)[80] and triple Platinum by Bundesverband Musikindustrie (BVMI),[81] denoting shipments to retailers of 900,000 units, 200,000 copies sold and 900,000 units shipped, respectively. Additionally, the album debuted at number two on the Australian Albums Nautical chart, and spent ten weeks in the top twenty;[82] it became the fourteenth highest-selling of 2000 in the land and was certified double Platinum past the Australian Recording Industry Association (ARIA) the following year after aircraft 140,000 copies to retailers.[83] [84] Oops!... I Did It Again opened at number three on the New Zealand Albums Nautical chart and was certified Gilt afterward merely one calendar week on the chart.[85] The Recording Manufacture Association of New Zealand (RIANZ) ultimately certified information technology double Platinum.[86] Oops!... I Did It Again became the tertiary acknowledged album of 2000 in the U.s.a., selling vii,893,544 albums according to Nielsen SoundScan[87] and quaternary all-time-selling album according to Billboard Year-End of 2000.[88] On January 24, 2005, the anthology was certified decuple Platinum (Diamond) by the Recording Industry Association of America (RIAA).[89] [ninety] Also, the album landed at number xx-seven on BMG Music Club all-time all-time-sellers list with 1.21 million units, behind Shania Twain's The Woman in Me (i.24 million) and Nirvana's Nevermind (1.24 million).[91] Equally of July 2009, the album has sold 9,184,000 copies in the United States, excluded copies sold through clubs, such as the BMG Music Service.[92] Worldwide, Oops!... I Did It Again sold ii.v million copies in its showtime week (second highest first week sales by a female artist worldwide) and sold fifteen million copies by the end of the year. Information technology was the best-selling female album and 3rd best selling album of 2000. The album has sold twenty meg copies worldwide.[6]
Controversy [edit]
Musicians Michael Cottril and Lawrence Wnukowski filed a copyright example against Spears, Zomba Recording Corporation, Jive Records, Wright Entertainment Group and BMG Music Publishing, challenge Spears' "What U See (Is What U Get)" and "Tin can't Make You Love Me" are "most identical" to one of their songs. Cottrill and Wnukowski claimed that they authored, recorded and copyrighted a song called "What Yous See Is What You Get" in 1999 to 1 of Spears' representatives for consideration on a hereafter anthology, though information technology was rejected.[93] The case was later dismissed afterwards information technology was ruled that they lacked sufficient show and that there "weren't enough similarities betwixt the two songs to show copyright infringement."[94]
Rails listing [edit]
| No. | Title | Writer(due south) | Producer(s) | Length |
|---|---|---|---|---|
| i. | "Oops!... I Did It Again" |
|
| 3:31 |
| two. | "Stronger" |
|
| 3:23 |
| 3. | "Don't Go Knockin' on My Door" |
|
| 3:43 |
| 4. | "(I Can't Get No) Satisfaction" |
| Rodney Jerkins | iv:23 |
| 5. | "Don't Let Me Be the Concluding to Know" |
| Lange | three:l |
| 6. | "What U See (Is What U Become)" |
|
| iii:36 |
| 7. | "Lucky" |
|
| three:26 |
| viii. | "One Kiss from Yous" | Steve Lunt |
| iii:23 |
| ix. | "Where Are Y'all At present" |
|
| 4:39 |
| ten. | "Can't Brand You Love Me" |
|
| three:17 |
| xi. | "When Your Optics Say It" | Diane Warren |
| 4:29 |
| 12. | "Dear Diary" |
|
| two:46 |
| Full length: | 44:37 | |||
| No. | Title | Author(s) | Producer(s) | Length |
|---|---|---|---|---|
| 12. | "Girl in the Mirror" | Elofsson |
| four:06 |
| xiii. | "Dear Diary" |
|
| 2:46 |
| Total length: | 48:24 | |||
| No. | Championship | Writer(south) | Producer(s) | Length |
|---|---|---|---|---|
| 11. | "When Your Eyes Say It" | Warren |
| 4:06 |
| 12. | "Girl in the Mirror" | Elofsson |
| 3:36 |
| 13. | "You Got Information technology All" | Rupert Holmes | Eric Foster White | 4:43 |
| 14. | "Dear Diary" |
|
| two:46 |
| Total length: | 52:33 | |||
| No. | Championship | Writer(due south) | Producer(s) | Length |
|---|---|---|---|---|
| 11. | "When Your Eyes Say It" | Warren |
| 4:06 |
| 12. | "Girl in the Mirror" | Elofsson |
| 3:36 |
| 13. | "You Got Information technology All" | Holmes | White | 4:10 |
| xiv. | "Heart" |
|
| 3:31 |
| 15. | "Dear Diary" |
|
| 2:46 |
| Total length: | 55:34 | |||
| No. | Title | Length |
|---|---|---|
| ane. | "Don't Permit Me Be the Final to Know" (Anthology version) | three:50 |
| two. | "Don't Let Me Be the Last to Know" (Hex Hector Radio Mix) | 4:01 |
| 3. | "Don't Let Me Be the Terminal to Know" (Hex Hector Club Mix) | 10:12 |
| 4. | "Stronger" (MacQuayle Mix Show Edit) | 5:21 |
| 5. | "Stronger" (Pablo La Rosa's Tranceformation) | 7:21 |
| 6. | "Oops!... I Did It Over again" (Music video) | iv:11 |
| 7. | "Lucky" (Music video) | 4:07 |
| 8. | "Stronger" (Music video) | 3:37 |
| ix. | "Don't Allow Me Exist the Last to Know" (Music video) | 3:51 |
| Total length: | xxx:52 | |
| No. | Title | Length |
|---|---|---|
| ane. | "Oops!... I Did It Again" (Music video) | iv:20 |
| 2. | "Lucky" (Music video) | 4:fourteen |
| 3. | "Stronger" (Music video) | 3:47 |
| 4. | "Oops!... I Did Information technology Again" (Karaoke) | 4:17 |
| 5. | "Lucky" (Karaoke) | iv:18 |
| half-dozen. | "Stronger" (Karaoke) | 3:46 |
| Total length: | 25:25 | |
Notes
- Rail 4, "(I Can't Get No) Satisfaction" is a cover of the 1965 Rolling Stones single.
- ^a signifies a vocal producer
Personnel [edit]
Credits adapted from AllMusic.[102]
- Britney Spears – vocals, background vocals, spoken words, concept
- Steve Lunt - A&R, composer, producer, string arrangements
- Jeanne LeBlanc – cello
- Jesse Levy – cello
- Kermit Moore – cello
- Eugene J. Moye – cello
- Harvey Mason, Sr. – editing
- Bobby Brown – assistant engineer
- Flip Osman – assistant engineer
- Clayton Wood – assistant engineer
- Anthony Ruotolo – banana engineer
- Alfred Bosco – assistant engineer
- Shane Stoneback – assistant engineer
- Charles McCrorey – engineer, assistant engineer
- Michel Gallone – engineer, mixing engineer
- Chris Trevett – engineer, vocal engineer, mixing engineer
- Eric Gast – engineer
- Tim Donovan – engineer
- Harvey Mason, Jr. – engineer
- Dan Gellert – engineer
- John Amatiello – engineer
- Stephen George – mixing engineer
- Dexter Simmons – mixing engineer
- Chris Tergesen – string engineer
- Michael Tucker – song engineer
- Jackie Spud – art management, design
- Mark Seliger – dorsum encompass, cover photograph
- Larry "Rock" Campbell – bass, guitar, producer, pulsate programming
- Marji Danilow, Judith Sugarman, Thomas Lindberg – bass
- Esbjörn Öhrwall – guitar
- Johan Carlberg – guitar
- Michael Thompson – guitar
- Kali – hair stylist
- Gloria Agostini – harp
- Max Martin – keyboards, programming, producer, mixing engineer, spoken word
- Robert "Esmail" Jazayeri – keyboards, producer, drum programming
- Per Magnusson – keyboards, programming, producer, mixing engineer
- Jake – keyboards, programming, producer, mixing engineer
- Kristian Lundin – keyboards, programming, producer, mixing engineer
- Rami – keyboards, programming, producer, mixing engineer
- David Kreuger – keyboards, programming, producer, mixing engineer
- Kent Wood – keyboards
- Elan Bongiorno – make-up
- Johnny Wright – management
- Tom Coyne – mastering
- Nigel Light-green – mixing
- Jon Ragel – photography
- Barry Eastmond – pianoforte, conductor, keyboards, producer, engineer, orchestral arrangements
- Rodney Jerkins – producer, engineer, song organization, mixing engineer
- Robert John – producer
- Timmy Allen – producer
- Richard Meyer aka Swayd – programming
- Cory Churko – programming
- Kevin Churko – programming
- William Meade – cord coordinator
- Hayley Hill – stylist
- Alfred V. Brown – viola, orchestra contractor
- Julien Barber – viola
- Olivia Koppell – viola
- Harry Zaratzian – viola
- Maxine Roach – viola
- Stephanie Baer – viola
- Richard Henrickson – violin, concertmaster
- Sanford Allen – violin
- Belinda Whitney-Barratt – violin
- Sandra Billingslea – violin
- Winterton Garvey – violin
- Gerald Tarack – violin
- Joyce Hammann – violin
- Stanley Hunte – violin
- Regis Iandiorio – violin
- Cistron Orloff – violin
- Marion Pinhiero – violin
- Marti Sweet – violin
- Amahid Ajemian – violin
- Xin Zhao – violin
- Margaret Magill – violin
- Ashley Horne – violin
- Nikki Gregoroff – background vocals
- Audrey Martells – background vocals
- Nana Hedin – background vocals
- Darryl Anthony – background vocals
- Nora Payne – groundwork vocals
- Jeanette Söderholm – background vocals
- Therese Ancker – groundwork vocals
- Charlotte Björkman – background vocals
- Andres Von Hofsten – background vocals
- Nina Woodford – groundwork vocals
- Mona Yacoub – background vocals
- Jeanette Olsson – background vocals
- Stephanie Baer – groundwork vocals
Charts [edit]
Weekly charts [edit]
| Year-end charts [edit]
Decade-cease charts [edit]
All-time charts [edit]
|
Certifications and sales [edit]
Release history [edit]
See also [edit]
- List of best-selling albums
- Listing of acknowledged albums past women
- List of acknowledged albums in the United states of america
- List of fastest-selling albums
Notes [edit]
- ^ As of Dec 2010, Oops!...I Did It Over again has sold ix,201,000 copies in the United States according to Nielsen SoundScan,[185] with boosted 1,210,000 copies sold at BMG Music Clubs.[91] Nielsen SoundScan does not count copies sold through clubs like the BMG Music Service, which were significantly pop in the 1990s.[92]
References [edit]
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- ^ "British album certifications – Britney Spears – Oops!... I Did It Again". British Phonographic Industry. Select albums in the Format field.Select Platinum in the Certification field.Type Oops!... I Did Information technology Again in the "Search BPI Awards" field and then printing Enter.
- ^ Trust, Gary (May 27, 2012). "Ask Billboard: Spears, Lovato's '10'-cellent Sales". Billboard . Retrieved May 27, 2012.
- ^ "American album certifications – Britney Spears – Oops". Recording Industry Clan of America.
- ^ "Premios – 2000" (in Spanish). Cámara Uruguaya del Disco.
- ^ "IFPI Platinum Europe Awards – 2001". International Federation of the Phonographic Industry.
- ^ Amazon.co.jp: ブリトニー・スピアーズ, クリスチャン・ランディン, ダイアン・ウォーレン, ジョーゲン・エロフソン, ルパート・ホルメス, ジョージ・テレン, ジェイソン・ブルーム, マックス・マーティン, ラミ, ミック・ジャガー, シャナイア・トゥエイン : ウップス!アイ・ディド・イット・アゲイン - ミュージック
- ^ Oops!...I Did It Once more - Britney Spears: Amazon.de: Musik
- ^ Oops .. I Did It Again!: Britney Spears: Amazon.ca: Music
- ^ Britney Spears, Britney Spears - Oops!... I Did It Again - Amazon.com Music
- ^ "Oops!... I Did It Again (Special Uk Edition)". AllMusic. Oct 9, 2000. Retrieved August 31, 2021.
- ^ "Oops!... I Did It Over again [Japan 2001 Bonus Tracks]". AllMusic. Feb xiii, 2001. Retrieved August 31, 2021.
- ^ "Oops!...I Did Information technology Again Commonwealth of australia Special Edition w/Bonus Disc of Remixes And Videos". Record Runner USA . Retrieved August 31, 2021.
- ^ "Britney Spears – Oops!...I Did It Once more Limited LP". Urban Outfitters . Retrieved March 31, 2019.
- ^ "Britney Spears – Oops!...I Did It Over again Limited LP". Urban Outfitters . Retrieved March 31, 2019.
- ^ "Britney Spears – Oops!...I Did It Again Limited Cassette". Urban Outfitters . Retrieved March 31, 2019.
- ^ "Britney Spears – Oops!...I Did It Again 20th anniversary edition picture vinyl". BritneySpears. Archived from the original on May 25, 2020. Retrieved March 31, 2019.
Bibliography [edit]
- Salaverri, Fernando (2005). Sólo éxitos. Año a año. 1959-2002 [Merely Hits. Year by year. 1959-2002] (in Spanish). Madrid, Spain: Iberautor Promociones Culturales. p. 943. ISBN9788480486392.
External links [edit]
- Official website
Source: https://en.wikipedia.org/wiki/Oops!..._I_Did_It_Again_(album)
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